T.D.C

Interior lamps are one of my design obsessions due to their ability to provide both function and artistry in an interior space. Today I'm sharing two new collections from Denmark that infuse beauty, sculpture and elegance into the home.

Fritz Hansen Introduces the MS Series by Mette Schelde

The Danish architect and designer Mette Schelde is behind the latest series of lamps from Fritz Hansen. Crafted in steel and comprising a floor, desk and table lamp, the MS Series is infused with Shelde's signature functionality and style.

“The MS Series is function packaged in a minimalist design language that harmoniously balances stringency with soft curves. Functionally and visually, the series builds upon Fritz Hansen’s extraordinary design tradition while at the same time reflects the now.” says Mette Schelde.

A Modern and minimal reinvention of classic lamp designs, the series centres around the circle, with each lamp featuring a dimmable function via the integrated on-off dial. Adaptable in height and direction, the floor and desk iterations direct the light where needed, while the table lamp is designed with the same rotational curvilinear shade for angled light, albeit set on a static arm. All three designs feature replaceable LED light technology, ensuring the purposeful pieces last for generations.

“The starting point was the need for a desk lamp in my studio. I wanted a lamp head which, in all its simplicity, would emit optimal, glare-free task light on my desk while being minimal in size. The design is simple and functional and juxtaposes the stringency of the arm with the softness of the shade. That represents harmony to me, which is part of the series’ DNA.” Schelde adds.

Nuura Launches Petalii by Nika Zupanc

Designed for Nuura by Nika Zupanc, Petalii reimagines traditional lighting through the Slovenian designer's modern, subversive lens. The emotive series, comprising a chandelier, floor lamp and pendant light, is the result of Zupanc's ongoing search for an icon.

Taking its name from the botanical word for petal, the series presents the universal form of the flower in a minimal aesthetic, juxtaposing traditional and contemporary materials and shapes to illuminating effect.

Stripped of unnecessary details, white powder-coated metal shades resembling the open heads of flowers emit and reflect soft, ambient light. Polished brass 'stems' on each design add warmth and depth.

"Creating an interior is like writing a novel: different sentences are put together to create a beautiful narrative. The Petalii series is a chapter in the story of the space in which it is placed,'' notes Zupanc on the collection.

The thoughtfully designed lamps work in a range of environments, from hotel lobbies to private dining rooms. Now available to purchase, take a look here.

Through a mindful collaboration, Swedish flooring specialist CHEVRON and Nineties Studio have jointly brought to life the Studio Stool. Designed by Nineties Studio and crafted from European forestry wood collected by CHEVRON, this robust stool showcases distinctive features through its visible details and unique structural elements.

The construction of the white ash follows the same method used by CHEVRON - a family business run by father and sons - to craft their wooden floors. This involves a distinctive three-layer lamellar structure that ensures stability without compromising the authentic feel of solid wood. White ash embodies the enduring cornerstone of Nordic design — clean and calm, yet sturdy and very much alive.

The Studio Stool draws inspiration from enduring woodwork, designed to stand the test of time and embrace the beauty of imperfections. Every Studio Stool has its own unique marks, hues and nuances thanks to wood that would otherwise go to waste. Crafted from exceptionally durable white ash, this piece of furniture becomes a steadfast companion for generations.

Stemming from a desire to blur the line between flooring as a construction material and its role as a distinctive piece of furniture, an integral part of every home, Douglas Bergh, owner and creative director of CHEVRON explains further .’ We had a clear idea that the piece of furniture should showcase the heavy, solid feeling of our three layer flooring while also using waste material. Nineties Studio turned our vision into reality by designing a stool, with a wide range of applications like a side table, bed table or just a piece of art. The ease of use was something very important.’

Photography by Osman Tahir Studio

Nestled in the heart of Paris's 16th arrondissement, on Place Iena, Atelier MKD has recently completed a spacious 300m2 apartment for a contemporary art collector. A true aesthete, the owner's vision was to create a refined space with clean, straight lines that would provide ample room for the display of their art collection.

In an effort to accentuate the art collection, Atelier MKD founder Marika Dru opted for an architectural design characterised by its understated, refined style, featuring materials in contrasting grey tones. This monochromatic approach harmoniously complements the apartment's Parisian decor.

Favouring contrasting materials such as marble and wood, Marika Dru enriches simple materials through graphic and modern ornament. A desire for stylistic coherence means that she is sometimes guided by a single striking object when considering the layout of an interior. With Place Iena, Michel Boyer's stainless steel X stool led her to use a selection of striking pieces in metal.

The project at its core focuses on modularity, emphasising flexibility in spatial arrangement, volumes and lighting, transforming the apartment into a gallery-like space tailored to the art collector's unique needs.

Photography by Thomas De Bruyne

Following a hectic end to the year with back-to-back shoots, the soft launch of our new furniture brand (more on that soon) and a spell of illness, I've returned from holiday feeling refreshed and excited for the year ahead. Officially back at work next week, I'm stopping by before things ramp up again to share some news from one of my favourite Danish brands, Vipp.

Launched this week, V3 is a uniquely crafted kitchen that pays homage to the brand's 85-year tradition of metalwork, while providing a fresh take on the original V1 all-metal Vipp kitchen introduced in 2011. Sharing the same overall principles of V1, V3 deviates from the industrial look of black powder-coated steel and ventures in a new direction with its light aluminium-first appearance.

Inspired by the material’s use in Vipp’s Chimney House, and Shelter guesthouses, the elegant aluminium siding and rounded edges offer a unique aesthetic, while the underlying design language and stainless-steel countertop draw clear lines to the brand's heritage.

Featuring freestanding modules available in island, wall and tall options, resting effortlessly on four legs, the kitchen cabinets come with discreetly integrated handles, while fridge and freezer cabinets feature long handles with rounded, rubber inner edges that can manage the weight and pressure of the heavier, air-sealed doors. The kitchen is completed with a 4-millimetre stainless-steel countertop that gracefully floats above the cabinets, allowing for either gas hobs or induction integration. A beautifully considered design, Vipp engineers have again blended the everyday functionality of a kitchen with the minimalist aesthetic of Vipp furniture.

“I think we have managed to create a unique kitchen that feels like a sculptural piece on its own.”— Kasper Egelund, CEO, and 3rd generation Vipp-owner.

Learn more about the new V3 kitchen at Vipp.com.

The Ask og Eng House in Drammen, Norway, is a testament to timeless design and meticulous craftsmanship. Dating back to 1868, this historic residence has undergone an extensive renovation led by Ask og Eng founders Kine Ask Sternersen and Kristoffer Eng whose clear mission was to preserve as much of the house’s original heritage while updating the layout to become a living showroom where they can share stories of their evolving brand. The result? A beautifully inviting home to inspire, imbued with history and warmth.

From the outset, sustainability and longevity were at the forefront of Kine and Kristoffer’s vision—the same ethos behind their architecture and design studio Ask og Eng. Specialising in the creation of interiors, kitchens and furniture all handmade in bamboo at their workshop in Norway, their journey began modestly, with the creation of their first kitchen in a humble garage. Little did they know this endeavor would evolve into a commitment to crafting sustainable, enduring interiors for a wide range of projects, some of which have been featured on TDC previously.

Muted colors and natural materials feature throughout the home’s interior, with bamboo taking centre stage, creating a serene and calming feel. It's a place where every detail has been carefully considered, from the bespoke furniture to the handcrafted stoneware cups and saucers that grace the kitchen shelves.

One of my favourite areas is the multifunctional office-dining room, a space that seamlessly transitions from work to play. When they are not in Mallorca, where they are currently residing with their children, Kine and Kristoffer gather for client meetings, design sessions, and intimate dinners with friends and family. Anchoring the room are the striking A9 bench and A10 dining table, beautifully crafted in Ask og Eng's Drammen workshop.

In addition to branching out from kitchens to include furniture collections, Ask og Eng have created the Object Collection, a curated selection of handmade treasures from around the globe. Each piece tells a story, reflecting the unique vision and values of the brand. From the rustic charm of the Pebble Wall Vase by ceramic artist Viki Weiland to the timeless elegance of the Teotihuacán-inspired wall lamps by NYC-based L'Aviva, every item showcases unique artistry.

Beyond its role as a showroom, the house embodies the essence of Ask og Eng's ethos in a real, lived experience. It's a place where design and craftsmanship converge, where inspiration flows freely, and where every corner tells a story. It is not just a place to browse, here you can also seek guidance on your kitchen planning and interior design, or just stop by to be inspired.

Open Houses are held on the first Saturday of every month, and you can even book a stay at the house, to fully experience the beautiful world of Ask og Eng.

Interested in exploring more from? Take a look at these beautiful projects by the Norwegian brand:
Tranquility in Ibiza
Masion Jackie in Antwerp
New Build in Norway

Images courtesy of Ask og Eng

JOE Design Studio was founded by Antwerp-based interior architect Jody Eeckhout in 2020. Working with private clients on high-end residential projects, the studio creates bespoke spaces in collaboration with skilled craftsmen, to seamlessly blend natural materials, personalised touches and innovative design elements. For Project KWIK, this involved an extensive renovation of House De Belder, located in Kwikstaartlaan, in the Elsdonk residential villa district of Wilrijk, Antwerp. Designed by renowned architect Renaat Braem for the photographer Alfons De Belder, with whom he collaborated, this incredible home was created with a spacious photography studio and darkroom and features a striking asymmetrical roofline that gives the house a distinctive, church-like aesthetic.

Completed towards the lated 1970s, the rest of the design leaned more towards that of a bungalow, comprising a compact two-story brick volume, and a unique staggered gable on two external walls. Further architectural details include an impressive free-standing brick fireplace, a circular wall opening, and remarkable stained-glass windows designed by Braem at the client's request.

In 2021, the property was acquired by a client well-versed in the flooring industry, who enlisted JOE Design Studio to oversee a comprehensive renovation. This involved expanding the original layout, which had three bedrooms and two bathrooms, to accommodate five bedrooms and four bathrooms, as well as incorporating the addition of a swimming pool. All of which needed to seamlessly integrate modern updates while preserving the home's distinctive '70s aesthetic. Alongside the client installing as much of his own parquet flooring as possible, the studio replaced old flooring in the entrance hall with natural stone. The bright white brick was then softened with a chalk clay finish.

Herringbone parquet has been installed in the formal living area, while original details including stucco walls, wooden ceilings, fireplace and the elliptical stained glass window, have been retained. The woven rug is custom-made, and the sofa and coffee table are by the Japanese furniture manufacturer Karimoku Case.

The dining area features a beautiful round, bespoke table which echoes the stone of the raised terrace and wenge veneer of the interior doors. The kitchen underwent a complete custom redesign, with an expansion of the space and the introduction of luxurious new finishes crafted from stainless steel and natural stone. This homage to the prevalent material aesthetic of the 1970s extends beyond the kitchen space, manifesting in elements such as the pendant lighting above the dining area, as well as in the meticulously selected tapware, switches, and various accessories throughout the home.

The large studio space on the first floor has been converted into an informal living room with original ceilings, plastered walls with the circular opening to the staircase, and a stunning mix of furniture, old and new. These include vintage armchairs and coffee table by Tobia Scarpa, and rich velvet sofas by German brand COR. A hand-tufted rug grounds the space.

Natural stone carries through to the bathroom, and the new master bedroom features a bed custom designed in the same veneer as the doors. The skylight and original staircases, including a spiral one, have been preserved, with new landings providing access to the children’s rooms and bathrooms.

Standing as a reflection of meticulous restoration and thoughtful redesign to accommodate a family, Project KWIK harmoniously merges a timeless materiality with character, modern comfort and functionality.

Image credits

Design: JOE Design Studio

Photography: Piet-Albert Goethals

After a meticulous year-long restoration and renovation effort following damages caused by flooding, CULT Design has reopened the doors to its Auckland showroom. Nestled in the heart of Parnell, Auckland’s vibrant furniture district, the new space boasts a total area of 300 square metres and showcases an extensive collection of high-quality design from Australia and Europe.

Located amidst a bustling creative culture and numerous art galleries, the building originally served as the ice storage for all of Auckland, and holds a rich historical significance. Its transformation into a contemporary space mirrors the evolution of both the city and Cult’s commitment to pushing the boundaries of design.

Since expanding their offerings to the New Zealand market in 2006, Cult has witnessed the continuous growth and maturity of the country’s design industry. The impressive standard of New Zealand architecture and interior design, evolving year after year, has fostered a deeper appreciation for high-quality, designer products.

As a testament to the brand’s dedication to the discerning New Zealand market, the showroom features an extensive collection of high-quality, innovative designs. From modern aesthetics to timeless classics, the curated selection reflects the ever-evolving tastes of the New Zealand design community.

Furniture, lighting, and accessories brands available at the Cult Auckland showroom include well-known Australian collections from nau and Coco Flip, handcrafted rugs from nanimarquina, plus Danish design houses &Tradition, Carl Hansen & Son, Fredericia, Fritz Hansen, Gubi, HAY, and more.

Welcoming design enthusiasts, industry professionals, and the local community to join in celebrating the grand reopening of their Auckland showroom, Cult’s knowledgeable and passionate retail team are on hand to help visitors find the perfect forever pieces for their homes or projects.

Photography by David St George courtesy of CULT

Today I’m excited to share my latest venture, Vertone, a new furniture brand launched with my close friend and collaborator, photographer/graphic designer Kirsty Dawn. Presenting our inaugural collection, Aperture, the duo of pieces—a versatile low-level table and a side table—is inspired by architectural lines and the desire to simplify and refine.

Initial ideas began brewing during the pandemic when Kirsty decided to cut short her move to London and return home to New Zealand. With a shared appreciation for understated interiors that blend sensory elements and a respect for natural materials, our discussions centred around versatile furniture and timeless design. We aimed to fuse architectural simplicity with a refined aesthetic, crafting pieces that exude a subtle yet impactful presence—setting the tone for the spaces we aspire to live in. These core elements of versatility and setting the tone led us to the name Vertone, and our first series, Aperture.

Crafted with precision in New Zealand using natural materials, the Aperture series explores balance, scale, and proportions, seamlessly blending structural solidity with an airy lightness. This delicate equilibrium is achieved through a thoughtful interplay of planes, drawing inspiration from both architectural forms and traditional Japanese woodworking.

Anchoring the space while allowing light to permeate, the Aperture tables offer a canvas for arranging objects and an invitation for tranquility. Each table is designed to transition across different settings and homes, to be treasured for years to come.

Aperture is available in two finishes, natural oak and smoked oak.

Visit vertone.space to find out more about the new brand and debut collection, along with our first journal post where I showcase the tables in my home and provide tips on how to style them.

With thanks to Porters Paints—the interior space above features French Wash Double Rubble over Egg Shell in Rubble.

Ad / This post features my own products. For more information on sponsored posts, please visit my About Page.

In recent years, the demand for wood kitchens has soared, and at Nordiska Kök, this movement shows no signs of slowing down; in fact, it's gaining momentum. Wood is inherently beautiful with a natural charm and offers an array of possibilities, providing tactility, warmth and timelessness in kitchen design.

For their latest kitchen, Nordiska Kök pairs dark oak and contrasting stone to create a warm and sophisticated feel. To elevate functionality without compromising on style, Nordiska Kök introduces clever custom-built solutions. I love how the coffee station is discreetly concealed within a sleek Pocket door cabinet, ensuring a seamless look. Additionally, the wine corner is thoughtfully designed with a bespoke wine shelf, providing an elegant touch. Anchoring the space is a generously sized kitchen island in striking stone, serving as a focal point for entertaining.

Johan Lundkvist, Creative Director and founder of Nordiska Kök says the kitchen has evolved into 'the new living room,' with their customers seeking more than just a functional space. They desire a kitchen that is not only aesthetically pleasing but also reflects their personality, meeting their design preferences, needs, and lifestyle. It has become a focal point for social gatherings, a versatile workstation, and a space for family gatherings.

Styling by Pella Hedeby / Photography by Kristofer Johnsson

Images courtesy of Nordiska Kök

Maison Melba, a place of place of life, creation, and exchange, was designed by Atelier L'Abri in harmony with the landscape and rustic heritage of the Village of Frelighsburg in Canada. Anchored in preservation and sustainability, this unique architectural project tells a story: that of the sensitive and sustainable renovation of a rural building nestled in the heart of the meadows and orchards emblematic of this agricultural region of southern Quebec.

Embodying the new owner's values of sharing and hospitality, the former 1970s automobile garage has been transformed into a living space that is open to the community and the development of collaborative projects. Inspired by the fertile ecosystem of Frelighsburg, Maison Melba now houses a residence, a work studio, a workshop, and a culinary production and meeting space. Outside, the small plot of land also includes a greenhouse and a garden dedicated to small-scale vegetable production, with the majority of food production to be consumed or processed on-site.

The building plan features a prominent interstice at its center, with a skylight and natural stone floor creating a seamless transition between indoors and out. Understated but warm, the open-plan interior features Dinesen Douglas Fir flooring, lime-coated walls and white oak furniture, while large wooden windows with beautiful linen curtains frame the landscape.

On the workshop side, industrial-grade materials in neutral colours blend subtly into a bright canvas that invites collaboration and creativity. Both the residential and public sides feature modular kitchens by Vipp and each space showcases a stunning curation of lamps.

The exterior exudes a timeless charm, designed to blend in with the countryside. Beneath the large weeping willow tree, the long horizontal structure of the former garage will age quietly in the landscape of native plants. Overall, the design embodies a sensitive approach to architecture, integrating harmoniously with nature and surroundings.

To age well, a building must first be well-designed. In accordance with L’Abri’s Passive-House approach, Maison Melba will soon be LEED Platinum certified, the highest level of this reference standard for sustainable buildings. The process begins with careful dismantling of the existing envelope to preserve the original wood frame, followed by the construction of a new double-stud wall structure for increased insulation. Natural materials like cellulose fiber insulation and recycled wood fiber cladding are used, along with PassivHaus certified triple-glazed windows, promoting passive-solar principles. Achieving an exemplary air tightness rating ensures exceptional energy efficiency performance, securing Maison Melba's place in the Frelighsburg landscape for years to come.

L’Abri's holistic design approach blends beauty, functionality, and longevity to deliver truly timeless architecture. Driven by values shared with the project’s founder, the sustainable transformation of Maison Melba is an inspiring demonstration of this ideal, and the result of an integrated design process led by the design-build team of Atelier L'Abri and Construction Modulor, as well as the exemplary execution of the entire project team.

The project's design integrates and celebrates the exceptional work of a long list of suppliers, manufacturers, designers, artisans, and consultants. The architectural language of Maison Melba highlights the material richness of the Kebony wood cladding, artisanal lime plaster, Dinesen wood floors, and Bisson Bruneel textiles. The carefully selected furniture features pieces from international design houses such as Vipp, Dinesen, Frama, Santa & Cole, and Ligne Roset, alongside works from talented local designers and makers like Clara Jorisch, Kastella, Atelier Vaste, Mark Krebs, Montauk, and Ema ceramics.

The landscape design was carried out by Écomestible, a firm specialising in ecological, edible, and regenerative landscaping inspired by permaculture principles. Écohabitation supervised the LEED certification process of the project. Finally, the project was captured through the attentive eye of photographer Alex Lesage, who remained on site for several days.

Project Credits

Architecture: Atelier L’Abri

Project team: Pia Hocheneder, Vincent Pasquier, Nicolas Lapierre, Francis Martel-Labrecque

Contractor: Construction Modulor

Engineers: Robert Harvey Ing.

LEED Certifiers: Écohabitation

Landscape: Écomestible, Braska

Photography: Alex Lesage

Dinesen, Denmark’s leading manufacturer of handcrafted wooden flooring and products, has launched a bespoke furniture collection with revered British architectural designer John Pawson, to celebrate 30 years of collaboration. The Pawson Furniture Collection is based on the span of a Dinesen floorboard, whose pared-back forms consequently appear to be lifted directly out of the floor. This served as the inspiration and guiding principle behind both the Dining Series and the complementary new Lounge Series.

Having previously collaborated on projects of varying scale and type—including private homes, exhibitions, museums and chapels, the new furniture collection distills the ethos of the Danish word Umage, which means going beyond what is expected or considered possible, as it expands this sense of progression that Dinesen and Pawson bring to their work.

The origins of the Pawson Furniture Collection for Dinesen can be traced back to 1992 when John Pawson created an original furniture collection solely for Pawson House in London. While designing his private home in Notting Hill, John discovered Dinesen and opted for Douglas fir planks for the flooring. This decision led to the innovative use of uncut planks laid from the front to the back of the house and the creation of a table and stools from boards of corresponding width. A commission unlike anything Dinesen had previously delivered, its success ignited a lifelong friendship and business partnership between Thomas Dinesen, fourth generation and John Pawson. Their enduring collaboration continues to thrive today.

Pawson’s vision saw the floor become a crucial architectural element, and the bespoke furniture for Pawson House further championed Dinesen’s joinery in new and unexpected ways. The Dining Series features a table, bench, and stool, originally conceptualised by John Pawson in 1992 and updated with a shadow gap detail for this collection. The top and legs of the dining table are fabricated from two boards, with the shadow gap now subtly highlighted using a combination of Douglas fir planks and Dinesen Oak inserts. Stools and benches, constructed from single Douglas fir boards with solid central spines, complete the collection.

The Lounge Series is a new, complimentary addition to the original Dining Series, features pieces crafted from solid Douglas wood, including a lounge chair, lounge table, sofa, and daybed. Skilled local cabinet makers in Denmark have built the wooden frames, which are then upholstered with textiles sourced from the renowned Danish textile company Kvadrat. Each piece is made to order, allowing customers to select their preferred textile from Kvadrat's extensive upholstery library. The sofa and armchair showcase the boards on the side elevation, while the cushions continue the theme of assembled and layered elements. Similarly, the daybed and coffee table are conceived as lower iterations of the dining table, creating a cohesive and harmonious collection.

John Pawson reflects on the design of collection for Dinesen, remarking “When I look at this new furniture collection for Dinesen, I see the essence of the thinking that has shaped my work since the beginning. Everything about these pieces is pared back to the logic and poetry of the wood. The dimensions of the timber determine the proportions of the forms and then it’s all about the inherent sensory character of the material.”

Thomas Dinesen, fourth generation at Dinesen, comments on the new furniture collection: “When we met John Pawson in 1992, we provided planks only for castles, manors, and churches, and at that time, they were conical Douglas fir planks only. He was the first to request our wood for a private home, and he wanted planks of the same width (450 mm). John Pawson has in many ways changed our relationship with the 'plank' from a restoration material for historic buildings to a design element in modern architecture."

The Pawson and Dinesen relationship was first struck with Thomas Dinesen in 1992. Since Thomas stepped down in 2021, his son Hans Peter has taken the reins to continue the family’s connection with Pawson for this new furniture launch.

Hans Peter Dinesen, fifth generation, says of the new collection: "More than 30 years after Dinesen and John Pawson first met, we reflect on how far we have come but also to shape our future course. John has had a great impact on the way we view architecture and wood. When John ordered our wood for the first time in 1992, it was a renaissance for our flooring and the plank itself that became a furniture collection. Together with Pawson, we have refined our Heritage Furniture collection and added new pieces to pay tribute to our shared joy in the simple and timeless."

Photography by Claus Troelsgaard

Smac Studio Interior Design has transformed a fragmented, terracotta-toned 1980s property into an elegant open plan home. Located in Vaucluse, Sydney, original arched windows look onto Australia’s oldest lighthouse, providing the site with both a sense of history and touch of drama. Honouring the original architect’s vision, which was inspired by a trip to Tuscany in the 1980s, Shona McElroy, Principle of Smac Studio, embraced a traditional Italian aesthetic while also fulfilling the owners’ desire for large, open spaces for entertaining and more natural light.

The extensive renovation saw three small rooms reconfigured into one expansive kitchen, living and dining area. The rear wall was moved out to create more internal space and lavish slabs of Arrabescato marble now grace the kitchen island, splashback and fireplace.

The entrance foyer, which boasts an incredible view of the light house, also received a notable update. Previously the floor was dark green stone, the walls were limewash orange, and black steel balustrades carved the staircase at sharp angles. Smac Studio smoothed the hard edges into inviting Venetian plaster curves and created a checkerboard floor from Carrara and Verdi Alpi marble. “Verdi Alpi was the original stone slab on the floor, so this design decision is a tribute to that,” says McElroy. A curved staircase provides a welcoming architectural hug on arrival while drawing the eye upwards.

In deliberate contrast to the predominantly white and bright spaces, the home office and cigar rooms feature a moody wall colour. “I used Ristretto from Porter’s Paints, which is a very dark warm grey colour with a hint of green,” says McElroy. “In traditional homes you often see dark, heavy timber studies, libraries and sitting rooms and that’s what I wanted these rooms to evoke. It’s a modern take on that.”

Originally clad in dark wood, the symmetrical marble portals leading to the formal dining and cigar rooms have been elevated with Arrabescato marble to create a special sense of entrance to these more formal spaces. Detailed paneling and cornicing, Benit Sculpted Chandeliers in white plaster from Aerin, and traditional curtains and curtain rails further enhance the formal feel. The cigar room bar features bronze veneer and a marble splashback, which contrast well with the dark wall colour and add a sense of opulence.

The master suite features an exquisite double-island walk-in wardrobe with Arrabescato marble bench tops, and brass lighting designs from Kelly Wearstler, Aerin and Articolo. “I think lighting is like jewellery, says McElroy. "It’s like artwork. The pieces I’ve chosen for this house transcend from day to night. Each light is an art object on the wall during the day, and at night those same objects create a soft, ambient, romantic glow.”

The biggest challenge with the renovation was time. “We only had three months to design and nine months to build,” says McElroy. “There were problems with lead times for certain items, so things were changing on the fly, but I still got all the elements I wanted in the beginning.” Those elements were curvature, a journey from formal entrance to informal open plan living, a marble checkerboard floor and artful lighting. “Even though the build time was short we didn’t skimp on character,” she says. “I love all the different layers, materials and shifts of light as you move through this home. I like to think this house is like a little black dress with a pearl necklace — a timeless aesthetic.”

Credits

Interior Architecture & Design: Smac Studio

Styling: Claire Delmar

Photography: Dave Wheeler

Construction: Charas Construction

Last year I began working with Baya, a NZ design brand that creates considered pieces for living, crafted by artisan makers. From styling campaign imagery at inspiring residential locations to art directing and styling studio shoots, I feel right at home working with their stunning range of textile products. Developed for those with an eye for the refined who appreciate quality, Baya’s collections of rugs, cushions and throws align with my personal aesthetic and love for texture and neutral tones. These products, which I believe are pivotal in bringing spaces to life, embody the essence of what makes a house a home.

For the 2024 Annual Collection the team travelled to Raglan, to shoot at a beautiful property by Edwards White Architects, followed by an in-studio shoot. Sharing this in two parts, beginning with Raglan, my styling was inspired by the setting of Sisters Sanctuary—an architectural home nestled in bushland and coastal surroundings.

Baya’s collection pieces provided the ideal colour palette to reflect both the warm tones and textures found in the natural landscape and my personal love for neutral and earthy hues. I was particularly drawn to the calming tones of oatmeal and ecru, as well as the rich brown tones of cinnamon and cocoa.

To harmonise with the wood and concrete finishes of the architecture and provide a soft backdrop for showcasing this season’s warm palette, I incorporated pale wood elements and soft neutrals. The addition of ceramic pieces in sandy hues further evokes a sense of tranquility, mirroring the home’s seamless integration with its natural environment.

As part of the TDC Curates series, Baya interviewed me for their journal, where I share more styling insights along with some of my favourite products featured in the campaign. Take a look here: TDC Curates Baya

Credits

Brand: Baya

Styling: Studio TDC

Photography: Studio Weir

Videography: Taylor Prichard

Styling Assistant: Kirsty Dawn

Karimoku Case N-S02 Modular Sofa by Norm Architects, L.Ercolani by Ercol Pebble Tables, Ercol Marino Chair by Dylan Freeth: Good Form

Custom Sofa: Exhibit One

Sublime Takesi Nii 'Ny Chair' Folding Chair, Refined Walter Cornell Recliner Armchair by Greaves & Thomas: Mr Bigglesworthy

Aperture Low Table and Aperture Side Table: Vertone

Thonet Ebonised 209 Chairs and Single Bobbin Tri-Leg Stool: Vitrine

Gubi 9602 Floor Lamp by Paavo Tyne: Cult

Lily Bowl (West Coast), Pillow Vases (Coastal): Author Ceramics

New Works Kizu Portable Lamp and Pleat Pitcher, Ferm Living UTA Piece and Serena Cup, Marloe/Marloe Ceramics: Slow Store

Tribu Amanu Outdoor Lounge Chair and Dunes Side Table by Yabu Pushelberg: Dawson & Co

Founded in Toronto by Ashley Botten, abd is renowned for its experiential interiors, outdoor environments, and artful accessories and furniture. The studio showcases a deeply refined appreciation for quality and artistry, employing a unique curated approach. This is evident in Uptown Georgian, an interior renovation that seamlessly infuses heritage architecture with modern living.

Home to a family of six, this Georgian-style residence in Toronto was recently expanded to include an extended kitchen and a primary bedroom with an ensuite bath on the second floor. The clients wanted to preserve original details, such as elegant crown molding, Cremone bolts, and French doors, while introducing a new layer of contemporary expression. With four grown children and two dogs, they also needed the house to be easy to live in and maintain.

The interior emphasises the experience of space and features an earthy palette of white and brown marble, grey limestone, raw copper, and the quiet softness of smoked white oak on the floors and built-in cabinetry. Abd paid close attention to blending its custom furniture designs with new additions and the clients' existing pieces. In the dining area, the family's vintage Eero Saarinen tulip chairs are now paired with a complementary oval dining table by Yabu Pushelberg. In the living room, an abd-designed limestone mantelpiece echoes the geometry of the room's traditional door casings and moldings.

One of the boldest expressions of old meeting new is in the deep entryway leading from the formal front rooms to the newly expanded kitchen and adjoining family room. This unique transitional space is now clad in live copper on all sides, with a slightly protruding edge providing a minimalist framework.

On the second floor, the warm palette continues in the primary bedroom, walk-in closet, bathroom, and office. The finishing details are subtle, quietly woven into the visual rhythm of the house. Rather than matching hardware, door pulls, knobs, and hinges are a mix of shapes and warm metals. Abd's own T-bar in polished brass features on one set of dresser drawers, contrasting with the linear finger pulls chosen for another custom sideboard. This intentional inconsistency gives the home a timeless ambiance that transcends trends. The aim is for every element of the house to be enjoyed in the present and also last a lifetime.

Credits

Design: Ashley Botten Design

Design team: Ashley Botten, Quinn Baleja

Builder: Severn Woods

Photography: Patrick Biller

Following on from Part 1 of this two-part series, which featured the residential shoot, here in Part 2, I carried out the set design, art direction, and styling for the Baya studio shoot.

In continuation of Baya’s theme of embracing the natural environment, I wanted to create an earthy, textural backdrop for the studio. To achieve this, I chose Porters Paints Interno Lime Wash in Irish Elk. Clean lines were offset by rounded forms, while tactile finishes in stone and wood, along with sculptural objects, drew from nature. Additionally, artworks such as Greer Clayton’s 'Day is Clearing' and Rachel Wegrzyn’s 'Volcanic' series further enhanced the theme. A standout hero piece—a striking Aubergine armchair by Ligne Roset—added a touch of drama.

For this shoot, I enjoyed creating a subtle yet captivating interplay of colours and textures using Baya's beautiful range of rugs, cushions, and throws. The styling was kept minimal to highlight the intricate textures and nuances of each piece, fostering a cosy and serene setting.

Credits

Brand: Baya

Styling: Studio TDC

Photography: Mel Jenkins

Styling Assistant: Kirsty Dawn

Interno Lime Wash in Irish Elk: Porters Paints

Blacktop Gamble Oak, Jacobsen Traffic 250 in Pearl Grey: Flooring Xtra

Custom Sofa, Audo Plinth Cubic by Norm Architects, Custom Bedhead: Exhibit One

Ligne Roset Hemicycle Armchair by Philippe Nigro and Ligne Roset Pukka Armchair by Yabu Pushelberg: Ligne Roset NZ

Aperture Low Table and Aperture Side Table: Vertone

Vibo Vesoul Cantilever Chair by Adrien Audoux & Frida Minet, Large Antique Pot and Single Bobbin Tri-Leg Stool: Vitrine

&Tradition Lato Side table by Luca Nichetto and Gubi 9602 Floor Lamp by Paavo Tyne: Cult

Distinct Coffee Table, Filo Lamp, Oblique Stool, Bon Wooden Tray, Oyster Table Lamp all by Ferm Living, New Works Kizu Portable lamp - Rosso Levanto: Slow Store

Greer Clayton ‘Day is Clearing’: Greer Clayton / Parnell Gallery

Rosa Bowl 'East Coast', Platter/Wall Art: Author Ceramics

Artwork: Rachel Wegrzyn “Dormant 29”, Fable Ceramics Table Lamp by Tai Berdinner Blades, Amelia Fagence Balance Plinth Bowl, Hitoshi Morimoto Shirahana Vase, Large hand-built vessel by Fiona Mackay: Public Record

Currently showing at 3daysofdesign, Enter the Salon is a joint exhibition of international brands, where design, art and poetry converge, as the past intertwines with the present. Curated by designer Signe Hytte, and taking place within The Conary, a historic townhouse in Copenhagen, the showcase aims to foster quiet reflection, casual conversation, and the exploration of new perspectives.

The inspiring space provides the perfect setting for Origin Made who are launching Part II of their 2024 collection. They are joined by six other distinguished international brands—Karimoku Case, Carpe Diem Beds, Ambientec, Ladies & Gentlemen Studio, Silkeborg Uldspinderi and August Sandgren.

Based in Porto, Origin Made blends modern design sensibilities with masterful craft techniques honed over generations to create collectible furniture, objects, and lighting that celebrate thoughtful design and the authenticity of the human touch. The brand collaborates directly with solo artisans and skilled craftspeople who preserve traditional ways of making. These makers breathe life into their creations, transforming simple objects into conduits of cultural richness and individual mastery.

Part II of Origin Made's 2024 collection builds upon the success of Part I, further exploring the theme of "Materials Intention", with the thoughtful application of natural materials to new shapes, resulting in pieces that feature a captivating interplay of textures and forms. Highlights include the Barco and Calabash Basket Sculptures created in collaboration with renowned Galician artisan Idoia Cuesta, the Flan Side Tables borne of a partnership between Origin Made's creative director, Gabriel Tan, and master ceramicist Joaquim Pombal, and the Lado Vase by Norm Architects.

Minimal and geometric wall-mounted vases, crafted in corten steel, Lado explores a new vast typology by opening up new possibilities for displaying dried plants and flowers in an unusual and elegant way.

Basket weaving sees Origin Made venture into a new craft while pushing the boundaries of traditional basketry. The combination of fully recyclable monofilament fishing lines from Galicia with natural rattan (Barco), and chestnut veneer (Calabash) is a modern and unique take on how basket weaving can create functional art objects.

Testament to yet another new successful collaboration, the Flan side tables feature clay plinths with soft box forms in two varying heights and are ideal for elevating and displaying treasured collectibles.

Enter the Salon celebrates the famous salons that were pivotal in hosting and fostering the avant-garde of the time in Paris, London, Berlin, Copenhagen and beyond—truly vibrant gatherings where intellectuals and creatives exchanged fresh ideas and challenged societal norms. The exhibition invites guests to visit The Canary with the same spirit—to inspire each other and talk, listen and think with an open mind, together.

Challenging the idea of the typical fair stand as a showcase, Enter the Salon is designed to feel like a culturally savvy, indelibly tasteful and strangely timeless private residence with plenty of layers to dive into.

"My vision is to do away with the classic fair stand and tell a story instead. One where every guest can explore multiple layers and find their own to be inspired by."—Signe Hytte, Curator, Enter the Salon.

A place where new movements start casually over drinks and hors d’oeuvres, and where the beauty of art and design and the importance of a great party carry equal weight to the people privileged enough to inhabit the rooms.

Throughout, a carefully curated selection of brands mix with each other to form a lived-in, informal, and slightly opulent red thread. Each brand fulfills their own essential role in the larger play that unfolds inside.

The common denominator for all the brands is an unwavering dedication to craftsmanship and quality over passing trends and fads, always with a focus on how uncompromising techniques can be emphasised in their pieces. Through intricate wood joinery, advanced LED technology, textile installations and an insistence on keeping hand-crafted work alive, the brands create the new by looking to the refined traditions of the past.

The beating heart of the exhibition is the sprawling Atrium that greets you with warmth and vibrancy. Here, talks, breakfasts and events take place, views are exchanged, and laughter rings out. It’s also where you can retreat from the hustle and bustle of the busy festival.

Photography by Jonas Bjerre-Poulsen and Sofie Staunsager

Exhibition Partners: Ruby Atelier, Massimo Copenhagen, Farrow & Ball, Kay Bojesen, Fabric Forest, Kvadrat and Arne Aksel

Imagery courtesy of Origin Made

Australia’s leading industry-based awards initiative, the Australian Interior Design Awards, has concluded for 2024 with a Gala event held at Sofitel Sydney Wentworth. The innovative and meticulously styled Northcote House by LLDS was awarded the Premier Award for Interior Design.

Premier Award for Australian Interior Design: LLDS for Northcote House, Victoria / Photography by Tom Ross

Celebrating interior design excellence both nationally and internationally, the Australian Interior Design Awards, now in its 21st year, is a partnership between the Design Institute of Australia (DIA) and Architecture Media's Artichoke. This year's entries showcased an unprecedented level of sophistication, ingenuity, and exceptionally resolved materiality. The jury remarked, "There's a freshness that characterises this year's entries, regardless of how long they have been in practice. It just goes to prove that as an industry, we are showing no signs of fatigue, and our capacity for excellence and innovation has only been strengthened."

Premier Award for Australian Interior Design, Residential Design Award & Best of State Award for Residential Design (Victoria): LLDS for Northcote House, Victoria / Photography by Tom Ross

This year's program saw an impressive surge in entries, marking the largest shortlist ever with 222 projects. Entries were evaluated across sector-specific categories such as residential, retail, hospitality, public, workplace, and installation design, alongside awards for Sustainability Advancement and Emerging Interior Design Practice. Commenting on this year's entries, the jurors noted, "Competition amongst entries in the 2024 Australian Interior Design Awards was unlike any year before. The calibre of projects was exceptionally high, and while exquisite craftsmanship and detailing reigned, an emphasis on strong colour, natural light, and refined materiality prevailed."

The jury unanimously awarded LLDS’ Northcote House top, praising its "exciting collision of technology, sculpture, and innovative material use," and noting its "unfamiliar yet captivating interior spaces." This project stood out for the jury as it challenged conventional thinking about residential interiors. Northcote House’s sustainability considerations impressed the panel, with every component of the home manufactured within five kilometres of the site. The project was awarded a trio of accolades: the Award for Residential Design, Best of State Award for Residential Design (Victoria), and the Premier Award, with the jurors highly impressed by the project’s confident integration of technology and contemporary styling.

Residential Design Award & Best of State Award Residential Design (NSW): Pattern Studio for Daddy Cool / Photography by Tom Ross

This year's Residential Design Category featured an incredible array of projects. Northcote House by LLDS and Daddy Cool by Pattern Studio were the joint recipients of the Award, with Daddy Cool also receiving the Best of State Award for Residential Design (New South Wales). The jurors commented, “The designers have worked a traditional terrace very hard through their exploration of minimalism in a playful yet sophisticated manner.”

Residential Decoration Award: Amelda Wilde Interior Design for Von Leach Residence, Victoria / Photography by Cricket Saleh

Taking home the Award for Residential Decoration was Amelda Wilde Interior Design's impactful Von Leach Residence. The jurors remarked that the residence had a real sense of expression inspired by its occupants and their personal values, which made the project stand out among the other entries. From a sustainability perspective, the use of vintage furnishings, recycled steel pieces, and reliance on local manufacturing added to the project's success.

Best of State Award Residential Design (Western Australia): State of Kin for Proclamation House / Photography by Jack Lovel

Best of State Award Residential Design (South Australia): Ash McCammon of Enoki for Stirling Residence / Photography by Jenah Piwanski

Residential Design Award Commendation: Prior Barraclough for Union Street House, Victoria / Photography by Ben Hosking

Residential Design Award Commendation: Tsai Design for Kirribilli Downsize Apartment, New South Wales / Photography by Clinton Weaver

Residential Design Award Commendation & Sustainability Advancement Award: Kennedy Nolan with Finding Infinity for Wilam Ngarrang Retrofit, Victoria / Photography by Eve Wilson

Residential Decoration Award Commendation: YSG Studio for Mo Jacobsen, Victoria / Photography by Anson Smart

See the full gallery of 2024 winners here.

Images courtesy of Papermill on behalf of the Australian Interior Design Awards

Vipp’s 9th guesthouse sees a former listed fisherman’s house from 1876 gently relocated to one of Latvia’s most spectacular nature parks, the Salaca River Valley. Situated on the bank of the river, the old log house has been transformed into a blissful hideaway and design retreat.

Arturs Martinsons, founder of the design studio xcelsior and owner of 17 hectares of landscaped meadows and woodland in Salaca National Park, oversaw the meticulous relocation of each log to its new site, where the house was rebuilt on a foundation of 180 stones. With a strong passion for architecture and design, Martinsons approached Vipp to include the house in their growing guesthouse portfolio around the world.

After thoroughly remodeling the interior layout, Vipp’s design team transformed the decaying holiday residence into a contemporary cottage. The new space blends Scandinavian minimalism with the character and charm of the original log house architecture, seamlessly integrating the built and natural environments. The magical surroundings are only fully revealed once you enter the guesthouse where large picture windows flood the space with light and provide an unobstructed view of the Salaca River.

Divided over two floors, the collection of small rooms have been replaced with a large open-plan living areas oriented towards the river views, giving new volume and life to the house. A black Vipp V1 kitchen is fitted into one corner of the living area and is paired with a combined dining and seating area. On one wall is a fireplace surrounded by mirrors that reflect the stunning greenery, bringing nature inside.

On the first floor the master bedroom features a freestanding bathtub overlooking the living area below. A narrow X-shaped window allows just enough sunlight to filter in while maintaining privacy. On the ground floor, there is a second bedroom with two single beds and a window facing the woods, along with a bathroom, entrance hall, and the combined living area and kitchen. The ceiling, painted in a dark grey-brown hue to preserve its original character, together with the dark brown log walls, creates a dense, cave-like ambiance. This is complemented by Vipp's neutral coloured furniture pieces, the V1 kitchen and items from nearby craft shops and vintage finds.

The house opens to large decks with views of the water, furnished with Vipp outdoor furniture. Perfect for lounging after a day of exploring the area or taking part in endless activities such as kayaking, canoeing, salmon fishing, biking, cross country skiing, mushroom hunting, or a swim in the river. Additionally, a separate terrace equipped with a wood-fired hot tub offers a 360-degree panoramic view of the surrounding landscape.

Images courtesy of Vipp

In the heart of Taipei, Taiwan, fws_work, a multidisciplinary design studio known for its rich narratives and attention to detail, has transformed a compact 700-square-foot loft into an artist’s haven. Every corner of this residence resonates with a poetic essence, reflecting the personal desires of the owner, an artist seeking a serene and inspiring environment.

The design philosophy centred around “a step at a moment creates a scene,” is evident throughout the residence. By maximising the high ceilings and abundant windows, the interior is bathed in natural light, establishing a harmonious connection with the surrounding environment, inviting a sense of tranquility indoors. Strategically placed openings in the walls extend this connection, transforming once narrow areas like the staircase and small bedroom into fluid spaces that capture the ever-changing interplay of light and shadow. As daylight shifts through the seasons, these openings merge outdoor foliage with the indoor scenery, crafting picturesque vignettes in very corner, and transforming each space into a unique scene.

The studio embraced a palette of dark tones, selecting materials that evoke depth and ambiance. Dark plaster and solid wood form a rich backdrop, enhancing the poetic atmosphere of the loft. Tactile materials, chosen for their ability to evoke tranquility and comfort, add layers of texture. The staircase, covered in handmade bricks, invites a sense of history and warmth, while the preserved original stone tile flooring anchors the design in its context.

Additionally, fws_work incorporated woven rattan folding doors in place of solid walls in the tea room, allowing light and shadows to permeate the space, adding fluidity and openness. This thoughtful arrangement of materials not only enhances the loft’s aesthetic appeal but also brings warmth and serenity to the artist’s residence.

fws_work, with its bases in New York and Taipei, specialises in creating engaging environments through interior, furniture, and branding design services. Their projects are deeply rooted in a collaborative process and a keen appreciation for detail. This transformation of the Taipei loft is a testament to the studio’s commitment to crafting spaces that engage the senses, offering the owner a place of inspiration and peace.

Credits

Design firm: fws_work

Project team: Yu-Hsiang Fu (Principal Designer)

Construction Management: ArchinSpace

Staging & Art Styling: Note In Silence

Photographer: Suiyu Studio

Nestled within the dramatic freshwater landscapes of Pointe Au Baril, Whistling Wind Island offers an extraordinary retreat for a passionate kite surfer. Located three hours north of Toronto, this region of Georgian Bay is renowned for its untamed beauty, where Precambrian rock archipelagos create narrow waterways that challenge even seasoned boaters. Here, both permanent and seasonal residents cherish the untouched landscape, a sentiment reflected in the design of this secluded cottage.

Whistling Wind Island, one of the most remote inhabited islands in the area, is enveloped by open waters and vast skies. The island’s ever-changing environment, marked by fluctuating water levels and unpredictable weather, is the perfect setting for the owner’s love of kite surfing. The cottage, designed by the Toronto-based studio AKB Architects, is a testament to building in harmony with nature.

The retreat consists of four pitch-roofed structures, each carefully scaled to fit within the island’s one-acre footprint. Clad in silver-weathered cedar shingles, the buildings blend seamlessly into their surroundings, appearing almost as natural extensions of the brownish-grey rocks. The main cottage, perched at the highest elevation, is complemented by a bunkie, a sauna, and a boat storage building with a small fitness room. These structures are connected by wooden plank gangways that meander over the rugged terrain, linking boat landings and bridging gaps between outcroppings.

Unlike many summer homes that prioritise a single scenic view, the cottage and bunkie on Whistling Wind Island are designed to embrace panoramic vistas in every direction. Wrap-around decks encircle the buildings, allowing residents to fully engage with the natural beauty that surrounds them. The asymmetric shapes of the structures echo the natural contours of the land, with steps and angles that flow harmoniously with the rock formations. The design further blurs the lines between indoors and out, with triple-pane operable glass walls that open fully to invite the outside in, providing natural thermal control through cross breezes to cool the interior. Deeply recessed windows with carved overhangs punctuate the facade, offering shade from the intense summer sun and helping to reduce solar heat gain.

Inside, the cottage features a spacious open-plan living area, with a kitchen, dining space, and a living room anchored by a full-height fireplace made of local Muskoka granite slabs. The interior walls are clad in custom-made cedar boards, whitewashed to reflect the ever-present horizon of water and sky. Matching wood planks line the cathedral ceiling, providing a contemporary interpretation of a gabled wood form found in traditional cottages. This same warm, natural materiality extends to the bunkie, creating a cosy, enveloping atmosphere that contrasts with the rugged exterior.

AKB Architects, led by Robert Kastelic and Kelly Buffey, brings a holistic approach to their designs, merging interior and exterior spaces into a seamless experience. Their work, as exemplified by Whistling Wind Island, is characterised by a clarity of vision and a commitment to capturing the poetic qualities of space. The studio’s dedication to detail and conceptual integrity ensures that each building not only endures but also engages with its environment in a profound way.

Sustainability is at the core of this project. The buildings are constructed on the original footprints of preexisting structures, minimising their environmental impact. Triple-pane operable glass walls and deeply recessed windows help regulate temperature naturally, while wood-burning fireplaces eliminate the need for mechanical heating systems. Water conservation measures include low-flow plumbing fixtures and an on-demand hot water system. The outdoor shower, soon to be added, will use lake water, further reducing the environmental footprint. The lighting fixtures were selected to mimic the soft mood of candlelight and exterior lighting was eliminated altogether, in respect to the night sky and the moon’s reflection on the water. The interior glow is enough to illuminate the surrounding decks.

The short cottaging season at Pointe Au Baril ends as the lake begins to freeze in November. To protect the retreat during the harsh winter months, the design includes recessed aluminum garage-like doors that roll down to cover the windows, and the floating docks are removed from the water.

Whistling Wind Island is more than just a summer home; it is a sanctuary that exists in perfect harmony with its surroundings. AKB Architects have created a retreat that is not only resilient against nature’s elements but also profoundly connected to the landscape it inhabits.

Credits

Architecture: AKB Architects

Architecture team: Kelly Buffey, Robert Kastelic, Donald Peckover, Byron White, Tim Wat, Antonio Morais, Nicole Rak

Furniture Curation: Anne Hepfer Design Inc

Photography: Doublespace

Inspired by high fashion’s attention to detail and fine tailoring, Ashley Botten Design (abd) takes pride in collaborating closely with clients who share a similar reverence for meticulous craftsmanship. This shared vision is beautifully realised in the renovation of a family lake house in Muskoka, Ontario, where abd seamlessly blends refined elegance with the casual ease of spending summers near the water. Tasked with updating the six-bedroom cottage, the studio’s approach honours both the home’s natural surroundings and its architectural heritage, creating a harmonious retreat that exudes quiet sophistication.

While the exterior bones of the cottage have remained intact, abd reimagined the interiors by removing select structural walls, enhancing the flow between spaces and carving out quieter, more intimate areas. Core features, such as the classic sash windows and the majestic flagstone hearth—a hallmark of the Muskoka region—were preserved. The studio’s distinctive touch is evident throughout, with custom-designed furniture thoughtfully tailored to each room, offering a personalised expression of the home’s unique character.

Ashley Botten Design excels in creating experiential interiors that resonate on a sensory level, and this project was no exception. The studio’s modern sophistication shines through in their meticulous attention to detail and calming sense of balance and proportion—principles that echo their broader design philosophy.

Upon entering the cottage, guests are greeted by a striking curved sofa that draws the eye toward the stunning lake views. Designed to comfortably seat up to six, the sofa is rich in micro-detailing, such as seamlessly railroaded fabric that wraps around the back without visible seams. This careful craftsmanship creates a subtle yet powerful visual impact, allowing the sofa’s expansive contour to flow uninterrupted.

Nearby, a custom curved bench in white oak hugs the sofa, transforming previously unusable space into a functional area for a small sculpture or a seat to remove shoes. The area is anchored by a sculpted carpet with three-dimensional patterns that cast blush shadows, creating moments of quiet luxury.

On the ground level, a bold interplay of materials creates a sense of dynamism. Wide-plank Douglas fir flooring contrasts with the straight-grained larch that encases the half-turn staircase, leading up to a catwalk hallway. The kitchen cabinetry, also in larch, pairs beautifully with slabs of honed charcoal bedrock on the countertops, backsplash, and range hood. This rich palette is further enhanced with an open aluminum shelf for displaying dishware and an island kitchen surrounded by nubuck leather counter stools.

The primary bedroom and ensuite adopt a softer, more subdued tone, with walls painted in a textured sea salt hue and woven linen window coverings that diffuse dappled light. The bed frame, tightly upholstered in wool suiting, along with strategically placed millwork, offers an alternative passageway to the ensuite, enhancing the room’s functionality and flow.

Throughout the house, abd’s attention to sensory experiences elevates everyday living. In the ensuite, the studio designed an extended metal towel rack that doubles as a resting tray for burning incense, infusing the space with a serene ambiance. Privacy is thoughtfully considered with glass pocket doors in the bar lounge to buffer television noise, while an upholstered pod near the living room serves as a cosy nook for children.

Ashley Botten and her team at abd are known for their curated approach, where every detail is intentional and fits naturally within the dimensions of a room. From the selection of nuanced materials to the positioning of furniture, abd’s work reflects a deeply refined appreciation of quality and artistry. This family retreat, with its timeless style and careful attention to refinement, is designed to evolve beautifully with use and memories, becoming a layered and beloved home for generations.

Credits

Design: Ashley Botten Design

Builder: Tamarack North

Photography: Patrick Biller

In the bustling Toranomon Hills Tower in Tokyo, a new 40-seat restaurant and bar has been brought to life through the creative vision of Space Copenhagen, the celebrated Danish design studio. Named Apothéose, this culinary haven is the brainchild of the celebrated Michelin Chef Keita Kitamura, who returned to Japan after a successful 15-year tenure in Paris. Blending the rich tapestry of Japanese culinary traditions with the sophisticated influences of French culture, the restaurant's interior seamlessly weaves together elements designed by Space Copenhagen to craft an environment that is not only inviting but also serves as the perfect backdrop for patrons to indulge in Chef Kitamura's extraordinary cuisine.

Upon entering Apothéose, guests are greeted by a bespoke sculptural host station in a spacious hallway, which flows effortlessly into a welcoming lounge area. Here, sturdy oak tables and moss-green Loafer Chairs by &Tradition, upholstered in neo-classical-inspired Kvadrat Sacho fabric, invite guests to relax in an atmosphere that feels at once contemporary yet grounded in timeless design. The floor and walls are adorned with earthy, warm, light-burnt terracotta tiles, with some wall surfaces covered in a lighter, semi-transparent textile in a natural tone. The space maintains a seamless connection to the outdoor terrace with lush greenery in the form of trees and plants, creating an invitingly organic atmosphere in the restaurant.

As guests leave the open lounge area, they enter a warmly lit passageway lined with built-in wine cabinets. The walls and door frames are covered in refined darkened brass panels, and at the end of the passage is a beautifully crafted double door that marks the entrance to the restaurant. The door, which opens automatically when approached, features an intricate scalloped decorative motif and handles made of darkened brass. As guests enter the restaurant, they are greeted by a vibrant open kitchen with stunning views of the Tokyo Skyline.

The restaurant space has a warm and welcoming atmosphere, offering a noticeable change of pace from the busy urban landscape at the bottom of the Tower. The stunning view of Tokyo feels almost otherworldly and meditative. Light filters through the space from day to night through transparent sheer fabric framing the façade, while the simple and minimal spatial features and surfaces, rich textures, and carefully selected materials are highlighted in different lights. The darkened brass wall panels that wrap around the open kitchen are complemented by walls in chalky plaster, alongside wall panels and floors in light wood. Further use of wooden panelled walls defines a separate, intimate private dining space next to the kitchen.

To enhance the overall design, Space Copenhagen has carefully selected a palette of natural materials for the restaurant’s furnishings including fabrics from Dedar and grey Nuance leather from Sorensen. Gleda dining chairs in solid white oak, designed by Space Copenhagen for British furniture brand Benchmark, are complemented by solid white oak tables custom-made by Benchmark for the restaurant. In the lounge area, artist Hideaki Yamanobe’s painting, fittingly entitled Through the Clouds, adds a poetic layer to the space. A stone waiter’s station serves as a functional and decorative element, housing ceramics, glassware, and sculptural objects, while strengthening the connection between the kitchen and the guests.

Lighting plays a crucial role in creating a warm and inviting atmosphere at Apothéose, with portable Como Lamps by &Tradition providing table illumination, and modern, playful light fixtures from Michael Anastassiades punctuating the wider space. Subtle yet impactful, the lighting reinforces Space Copenhagen’s emphasis on craftsmanship, beauty, honest materiality, quality, curiosity, and balance.

Commenting on the design strategy of the restaurant and bar, Space Copenhagen founders Peter Bundaard Rützou and Signe Bindslev Henriksen say “We wanted Apothéose to be a refined space of crafted elegance with its own distinctiveness, we hope guests enjoy spending time in its considered and intimate dining and culinary experience.”

Toranomon Hills encapsulates the concept of transformation. What was once primarily known as a business district is now evolving into a multifaceted place that combines work and life with cultural discovery and hospitality. Earlier this year, Space Copenhagen designed Hotel Toranomon Hills, which occupies the ground and 11th to 14th floors of the Toranomon Hills Station Tower. The hotel includes Le Pristine Tokyo, a restaurant by Sergio Herman, also designed by Space Copenhagen, following their celebrated design of the original Le Pristine in Antwerp in 2020.

Photography by Joachim Wichmann

Founded in 2014, Daniel Joseph Chenin is an architecture and interiors studio specialising in fully conceptualised residential spaces. With a belief that design should engage the senses, the firm treats each project as an opportunity to craft an experience—one with a story arc and a distinct visual language that establishes a strong sense of place. Known for seamlessly blending architecture and interiors to create captivating environments, Daniel Joseph Chenin was commissioned by a repeat client to bring their vision for a new lakefront residence to life on the shores of Lake Coeur d’Alene in Harrison, Idaho.

In collaboration with renowned New York architect Hart Howerton, the studio led the comprehensive interior design, from custom detailing and furnishings to artwork curation, lighting, and accessories. The result is a cohesive, sophisticated lake retreat that reflects the studio’s signature approach to creating immersive and thoughtfully curated spaces.

On a scouting trip to the proposed site, Chenin was immediately struck by the natural beauty of the location—a majestic hillside framed by evergreen trees, with a tranquil lake embraced by the surrounding wilderness. However, the rugged terrain posed logistical and design challenges, particularly with the seasonal elements that characterize the area as a summer destination.

“The home is clad in reclaimed wood, with knobby imperfections that give it a rough and ready exterior that blends into the natural context,” explains Chenin. “It also responds to the harsh off-season climate by being fitted with a metal roof and Corten steel garage doors for much-needed protection against ice and heavy snow.”

Having collaborated with the couple on multiple residences since 2016, Chenin built on a relationship of trust and understanding. This foundation allowed the design process to focus on unraveling the client’s vision of a mountain retreat—one that felt true to its natural surroundings yet infused with understated luxury. They wanted a home that was warm and welcoming, with a soft, refined atmosphere, but also durable enough to withstand the demands of its environment.

The rugged exterior gives way to a more refined interior, softened by thoughtful detailing and carefully selected furnishings. The colour palette and materials, including leather, iron, steel, marble, and a variety of woods, were inspired by the natural environment. Custom-designed furniture adds texture and interest, anchored by area rugs that echo the surroundings, such as fallen leaves on the forest floor.

The home’s layout is simple and functional, with the main level featuring a kitchen and expansive pantry, living and dining rooms, an entry foyer, a mudroom, and a secluded primary bedroom. The second level comprises a second primary bedroom suite with a kitchenette, while the below-grade first floor, embedded into the hillside, and featuring a walkout terrace, houses three additional guest bedrooms centered around a large living area that connects them.

A diverse range of materials are thoughtfully integrated across the home—a large, hand-carved cabinet with bronze doors, subtle yet effective light fixtures, and barstools with durable leather finishes. Rich materials like Calacatta marble in the kitchen and bathrooms, oak flooring, and unlacquered bronze hardware introduce warmth, providing a counterbalance to the home’s more utilitarian elements.

“The bronze hardware will patina and weather over time through touch and exposure to the air,” explains Chenin. “Numerous finishes and details of this project are reflections of elements present in the surrounding natural environment, and we succeeded in replicating their shapes and textures.”

Tactile experiences are woven throughout from exposed wooden ceiling beams to nature-inspired artwork that lines the walls. Organic patterns in the furnishings further ground the design in its environment, as do the carved wooden legs of custom-built furniture and a steel tabletop that replicates the rings of a tree trunk. A live-edge desk in the upstairs suite adds another natural touch, echoing the connection to the outdoors.

One of the more challenging aspects of the design was the unusually long room on the main level. To address this, Chenin custom-designed a massive credenza to anchor the space. Steel-plated with simple handles and raw wood showcasing grainy patterns, the credenza balances rusticity with a polished finish. Throughout the home, Chenin’s positioning of custom pieces provides balance, versatility, and functionality. Each design draws inspiration from the surrounding environment, with live-edge wood kept from splitting by metal bowties, and steel reinforcement wraps binding wooden legs and bases together.

“There is an overall visual to the design, and then there’s abundant discovery of nuance as the materials and the finishes come together,” notes Chenin. “It’s utilitarian in its simplicity, yet very smart in its subtlety, with proportions and forms that are highly refined.”

A harmonious blend of natural elements and considered details, the home offers a tactile, grounded experience that feels deeply connected to its environment while providing comfort and warmth—a space where every detail tells a story and invites discovery.

Credits

Interior Design: Daniel Joseph Chenin, Ltd

Architecture: Hart Howerton

Contractors: Tekton

Photographer credits: David Mitchell

Designed by Norm Architects, the Kent Avenue penthouse is a one-of-a-kind residence nestled along the Brooklyn waterfront, overlooking the East River and Manhattan skyline. Here, New York’s industrial vibe meets soft minimalism and tactile materials, creating an urban retreat above the bustling city. The open plan solution has been preserved and thoughtfully layered to define different zones, while a sunken terrace invites relaxation with its plunge pool and exquisite views.

Spanning approximately 350 square metres, the penthouse occupies the entire top floor of a grand building along the East River and is divided into two distinct living spaces—one designed for the privacy of the family, and the other a fully equipped guest house.

The residence seamlessly blends contemporary elegance with tactile materials, creating an atmosphere of both intimacy and spaciousness. Floor-to-ceiling windows frame breathtaking views of the river and Manhattan skyline, as well as the lush greenery that envelops the expansive terrace, blurring the line between indoors and out.

Inside, a serene interior balances the vibrant exterior views, while soft, plush textiles create warmth and tactility. The design blends organic shapes with clean lines, resulting in a space that feels both soothing and stimulating.

An in-built fireplace framed by elegant Carrara marble adds a touch of luxury, while discreet hidden doors open to reveal a private TV lounge, maintaining a clean and tranquil aesthetic.

In the hallway a skylight floods the narrow space with natural light, creating an open and airy atmosphere.

A bespoke kitchen crafted by Vipp features a sleek black exterior with a natural oak core, blending style and functionality. The steel benchtop adds a refined, modern touch, while the folding fronts seamlessly tuck away to optimise space and enhance versatility within the kitchen.

Situated between the kitchen-dining area and living room, a grand bookcase with a perforated steel back invites natural light to permeate the space, preserving the connection between zones while defining their distinct purposes. This multifunctional bookcase also displays personal family treasures, adding character to the minimalist design.

Transitioning from the kitchen area, a door opens to reveal the adult suite, encompassing an office, bedroom, walk-in closet, and bathroom. Floor-to-ceiling windows line the walkway, framing serene views of the terrace greenery, with the graceful drape of sheer curtains adding a gentle layer to the streamlined materials.

The bedroom features a wooden bedframe with a headboard that extends to the ceiling, creating an intimate alcove within the airy, open space. Thoughtfully crafted, it serves a dual purpose as a closet on the reverse side, seamlessly merging function with style. The natural wood draws inspiration from the outdoors, blurring the boundaries between the interior and the surrounding greenery. This connection to nature brings warmth and tranquility, softening the modern design while fostering a deep sense of well-being and relaxation – transforming the room into a serene retreat.

The bathroom is crafted entirely from large grey stone slabs, with elegant silver fixtures that enhance the cool, modern aesthetic. In contrast to the warm wooden tones of the bedroom, the sharp lines of the stone create a bold, minimalist look. Soft curtains, consistent with the rest of the house, introduce a tactile element, casting beautiful shadows from the surrounding trees and greenery. Cleverly hidden storage adds to the clean, streamlined design.

The guest unit is cosy yet spacious. Here, a bespoke steel and wood kitchen is accented with elegant butterfly details, blending modern design with subtle craftsmanship.

There is also a living room, tranquil bedroom, a small office nook, bathroom, and toilet. Designed with the same elegant style as the main apartment, each detail—from the soft colour palette to the clean lines—ensures a harmonious and cohesive flow that feels effortlessly luxurious.

A serene haven where urban life meets tranquil living, the Kent Avenue Penthouse is impeccably designed and thoughtfully curated to cultivate a sense of unity and calm—a perfect blend of urban energy and quiet retreat.

Credits

Norm Architects: Architect & Partner, Peter Eland / Architect, Hedda Klar

Photography: Jonas Bjerre-Poulsen

While the TDC Blog has been quiet since the latter part of 2024, as I’ve been fully immersed in styling, design, and writing projects, January, as always, brings an exciting array of design news—and I can’t let the month slip away without sharing some inspiring new projects and products that have landed in my inbox.

&Tradition Opens a New Showroom in Villeneuve-lès-Avignons, France

Located in Villeneuve-lès-Avignons, in the southern region of France, the new &Tradition showroom is located within a former papal residence dating back to the 16th century. Embracing the history and heritage of the building, whose architectural characteristics reflect those seen throughout the medieval town that surrounds it, &Tradition have taken care to preserve and restore original features, establishing a considered setting in which to showcase their timeless collection.

Providing a comprehensive overview of &Tradition designs from a variety of international creatives, both contemporary and classic, the space offers a curated experience of &Tradition's collection of furniture, lighting and accessories. With an emphasis on classic designs and outdoor furniture, the collection on display has also been selected for its relevance to the local market.

&Tradition Avignon showroom

14 Place de l'Oratoire, 30400 Villeneuve-lès-Avignon, France

Coco Flip Launches new Lighting Collection, Dancer

Dancer is a new collection of lighting designed by Coco Flip in collaboration with Melbourne-based ceramicist Belinda Wiltshire. Belinda’s refined artistry and bold use of black iron oxide led the design process towards a collection of striking and distinct pieces including table lamps, wall lights and ceiling mounts.

Dancer takes inspiration from the Rriadisches Ballet developed by Oskar Schlemmer, who was part of the Bauhaus design movement in 1920s Germany. The ballet used fantastical costumes and strong geometry to transform the dancers and emphasise their movements. Each dancer piece aims to echo a sense of movement through form and pattern, bringing a strong and character-filled aesthetic to an otherwise minimalist light.

Belinda works from her pottery studio in Preston where each piece is wheel-thrown, hand-finished and fired. Dancer is crafted using mid-fire clay and brushed with black iron oxide, providing a striking contrast against the warm brown clay. Each lamp is offered in three striped finishes—wide, thin, and spaced. Table lamps are available in any combination of these finishes.

Images 1-4: Styling by Jess Lilico / Photography by Tom Ross

Image 5: Styling by Marsha Golemac / Photography by Pier Carthew

Ground Collection by Norm Architects and Massimo Copenhagen

Inspired by the textures and colours found in the natural world, the new Ground collection by Norm Architects and Massimo Copenhagen seeks to evoke a profound sense of home and belonging—serving as a tribute to simplicity and tranquility, seamlessly merging understated beauty with exceptional craftsmanship. Drawing from these earthy tones and subtle hues reminiscent of diverse landscapes, the collection transforms interiors into inviting and harmonious sanctuaries, and with a focus on tactile comfort and enduring quality, the rugs are designed to anchor spaces in calmness and warmth, creating a sensory experience that resonates on every level.

The humble rug is designed to feel at home wherever it is placed. It doesn't demand attention but rather sits comfortably within the space, serving as a foundational element that ties everything together. Ultimately, the aim of the collection is to offer a design element that not only enhances the visual appeal of a room but also contributes to a sense of balance and harmony within the interior environment, where the presence of nature is palpable and fosters a deeper sense of connection and well-being.

Photography by Irina Boersma

Dinesen Country Home Has Been Reimagined By Copenhagen Design Duo Mentze Ottenstein

Dinesen, Denmark’s foremost manufacturer of high-end wooden flooring, and five-generation family company, has crafted high-quality wood solutions since 1896. Their former family house, Dinesen Country Home, is located near the company's manufacturing facilities in Jels, Denmark, and has been an integral part of the Dinesen legacy since 2004 when the family acquired the estate. Recently, the residence underwent a thoughtful renovation by Copenhagen-based architecture and design studio Mentze Ottenstein, signalling a new chapter in the history of the estate and its role in the company.

Built in 1885, the residence is a traditional southern Jutland longhouse with a thatched roof, nestled amid lush green forestry, meadows, and lakes. As a place steeped in the Dinesen family’s history, the home is a living testament to the values and craftsmanship that define the company and the family behind it. While the original framework carried out by Overby was still sound, Mentze Ottenstein reviewed all surfaces and material compositions, introducing a fresh take on colour and working thoroughly with detailing to create a more harmonious experience. The Garde Hvalsøe kitchen features handcrafted cabinets have been painted an eye-catching shade of green as a nod to its countryside location. Elsewhere, a series of hand-turned ceramic bowls from Georgia sit comfortably alongside new walnut and pear kitchen handles. Further colour can be seen in the aisles and small chambers on the first floor, painted in golden ochre, creating a warm and intimate experience.

Fittingly, wood still takes centre stage as the central material palette within the house. The architectural Pawson Furniture Collection by John Pawson for Dinesen in Douglas fir, released earlier this year, sits elegantly next to antique furniture and a series of bespoke new furniture pieces designed by Mentze Ottenstein. These pieces have been made of ash with an oil finish resembling amber and a grain pattern reminiscent of black elm. In addition, deeper-toned wood selections such as walnut and pear are represented, for instance, in frames by Cassetta, which offers a flattering contrast to the light Douglas floors.

The house is designed to evoke a sense of home rather than a showroom while showcasing the stories of numerous exciting collaborations throughout the years. Primarily reserved for Dinesen's friends, design clients and relations to enjoy its breathtaking surroundings and inviting interiors, the house may also later be available for public booking on select dates.

Photography by Monica Grue Steffensen